Western literature week 8

Pygmalion

Pygmalion is a legendary figure of Cyprus. Though Pygmalion is the Greek version of the Phoenician royal name Pumayyaton, he is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.

Pygmalion effect

The Pygmalion effect, or Rosenthal effect, is the phenomenon whereby higher expectations lead to an increase in performance. The effect is named after the Greek myth of Pygmalion, a sculptor who fell in love with a statue he had carved, or alternately, after the Rosenthal–Jacobson study (see below).

A corollary of the Pygmalion effect is the golem effect, in which low expectations lead to a decrease in performance; both effects are forms of self-fulfilling prophecy. By the Pygmalion effect, people internalize their positive labels, and those with positive labels succeed accordingly. The idea behind the Pygmalion effect is that increasing the leader's expectation of the follower's performance will result in better follower performance. Within sociology, the effect is often cited with regard to education and social class.

Studies of the Pygmalion effect have been difficult to conduct. Results show a positive correlation between leader expectation and follower performance, but it is argued that the studies are done in an unnatural, manipulated setting. Scientists argue that the perceptions a leader has of a follower cause the Pygmalion effect. The leader's expectations are influenced by their perception of the situation or the followers themselves. Perception and expectation may possibly be found in a similar part in the brain.

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Anglo-Irish playwright, critic, and polemicist whose influence on Western theatre, culture, and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1903), Pygmalion (1913), and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Pygmalion (play)

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1913.

Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.

In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name.

Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.

The Bicentennial Man (film)

Bicentennial Man is a 1999 American science fiction comedy-drama film starring Robin Williams, Sam Neill, Embeth Davidtz (in a dual role), Wendy Crewson, and Oliver Platt. Based on the novel The Positronic Man, co-written by Isaac Asimov and Robert Silverberg, which is itself based on Asimov's original novella titled The Bicentennial Man, the plot explores issues of humanity, slavery, prejudice, maturity, intellectual freedom, conformity, sex, love, and mortality. The film, a co-production between Touchstone Pictures and Columbia Pictures, was directed by Chris Columbus. The title comes from the main character existing to the age of two hundred years, and Asimov's novella was published in the year that the U.S. had its bicentennial.

Tiresias

In Greek mythology, Tiresias was a blind prophet of Apollo in Thebes, famous for clairvoyance and for being transformed into a woman for seven years. He was the son of the shepherd Everes and the nymph Chariclo. Tiresias participated fully in seven generations at Thebes, beginning as advisor to Cadmus himself.

Midas

Midas is the name of at least three members of the royal house of Phrygia.

The most famous King Midas is popularly remembered in Greek mythology for his ability to turn everything he touched into gold. This came to be called the golden touch, or the Midas touch. The Phrygian city Midaeum was presumably named after this Midas, and this is probably also the Midas that according to Pausanias founded Ancyra. According to Aristotle, legend held that Midas died of starvation as a result of his "vain prayer" for the gold touch. The legends told about this Midas and his father Gordias, credited with founding the Phrygian capital city Gordium and tying the Gordian Knot, indicate that they were believed to have lived sometime in the 2nd millennium BC, well before the Trojan War. However, Homer does not mention Midas or Gordias, while instead mentioning two other Phrygian kings, Mygdon and Otreus.

Another King Midas ruled Phrygia in the late 8th century BC, up until the sacking of Gordium by the Cimmerians, when he is said to have committed suicide. Most historians believe this Midas is the same person as the Mita, called king of the Mushki in Assyrian texts, who warred with Assyria and its Anatolian provinces during the same period.^[4]

A third Midas is said by Herodotus to have been a member of the royal house of Phrygia and the grandfather of an Adrastus who fled Phrygia after accidentally killing his brother and took asylum in Lydia during the reign of Croesus. Phrygia was by that time a Lydian subject. Herodotus says that Croesus regarded the Phrygian royal house as "friends" but does not mention whether the Phrygian royal house still ruled as (vassal) kings of Phrygia.

Orpheus

Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music, his attempt to retrieve his wife, Eurydice, from the underworld, and his death at the hands of those who could not hear his divine music. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.

For the Greeks, Orpheus was a founder and prophet of the so-called "Orphic" mysteries. He was credited with the composition of the Orphic Hymns, a collection of which only two have survived. Shrines containing purported relics of Orpheus were regarded as oracles. Some ancient Greek sources note Orpheus' Thracian origins.

Charon

In Greek mythology, Charon or Kharon is the ferryman of Hades who carries souls of the newly deceased across the rivers Styx and Acheron that divided the world of the living from the world of the dead. A coin to pay Charon for passage, usually an obolus or danake, was sometimes placed in or on the mouth of a dead person. Some authors say that those who could not pay the fee, or those whose bodies were left unburied, had to wander the shores for one hundred years. In the catabasis mytheme, heroes – such as Aeneas, Dionysus, Heracles, Hermes, Odysseus, Orpheus, Pirithous, Psyche, Theseus and Sisyphus – journey to the underworld and return, still alive, conveyed by the boat of Charon.

op- : against

Examples:  opposition, opponent and so on.

pro- : in favor of

Examples: proposal, proponent, propaganda and so on.

para- : beside

Examples: paraphrase, paradox, parasite and so on.

omni- : all

Examples: omnipotent, omniscient, omnipresent and so on.

se- : apart from

Examples: secede, separate, segregate and so on.

voc/ vok/ voke- : call

Examples: advocate, equivocate, invoke and so on.