Western literature week 13

Odysseus

Odysseus , also known by the Latin name Ulysses, was a legendary Greek king of Ithaca and the hero of Homer's epic poem the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle.

Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility (polytropos), and is hence known by the epithet Odysseus the Cunning (mētis, or "cunning intelligence"). He is most famous for the Odyssey, ten eventful years he took to return home after the decade-long Trojan War.

Protestantism

Protestantism is a form of Christian faith and practice which originated with the Protestant Reformation, a movement against what its followers considered to be errors in the Roman Catholic Church. It is one of the three major divisions of Christendom, together with Roman Catholicism and Orthodoxy. The term derives from the letter of protestation from German Lutheran princes in 1529 against an edict condemning the teachings of Martin Luther as heretical.

Catholicism

Catholicism (from Greek καθολικισμός, katholikismos, "universal doctrine") is a term which in its broadest sense refers to the beliefs and practices of Christian denominations that describe themselves as catholic. It commonly reflects traditions of Catholic theology, doctrine, liturgy, ethics, and spirituality. Associated traits often include or claim to include episcopal polity, sacramental theology, apostolic succession and sacred tradition. "Catholicism" and "catholic" in these senses refer to various Christian churches, as well as their beliefs and practices.

Eurydice

In Greek mythology, Eurydice was an oak nymph or one of the daughters of Apollo (the god of music, prophecy, and light, who also drove the sun chariot, "adopting" the power as god of the Sun from the primordial god Helios). She was the wife of Orpheus, who tried to bring her back from the dead with his enchanting music.

Tragic flaw (hamartia)

The term hamartia derives from the Greek ἁμαρτία, from ἁμαρτάνειν hamartánein, which means "to miss the mark" or "to err". It is most often associated with Greek tragedy, although it is also used in Christian theology. Hamartia as it pertains to dramatic literature was first used by Aristotle in his Poetics. In tragedy, hamartia is commonly understood to refer to the protagonist’s error or flaw that leads to a chain of plot actions culminating in a reversal from their good fortune to bad. What qualifies as the error or flaw can include an error resulting from ignorance, an error of judgement, a flaw in character, or sin. The spectrum of meanings has invited debate among critics and scholars, and different interpretations among dramatists.

Hubris

Hubris describes a personality quality of extreme or foolish pride or dangerous over-confidence. In its ancient Greek context, it typically describes behavior that defies the norms of behavior or challenges the gods, and which in turn brings about the downfall, or nemesis, of the perpetrator of hubris.

Catharsis

Catharsis is the purification and purgation of emotions—especially pity and fear—through art or any extreme change in emotion that results in renewal and restoration. It is a metaphor originally used by Aristotle in the Poetics, comparing the effects of tragedy on the mind of a spectator to the effect of a cathartic on the body.

Poetics (Aristotle)

Aristotle's Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory. This has been the traditional view for centuries. However, recent work is now challenging whether Aristotle focuses on literary theory per se (given that not one poem exists in the treatise) or whether he focuses instead on dramatic musical theory that only has language as one of the elements.

Mimesis 

Mimesis is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.