Western literature week 4

Virgil(Vergil)

Publius Vergilius Maro , usually called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He is known for three acclaimed works of Latin literature, the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, are sometimes attributed to him.

 Virgil is traditionally ranked as one of Rome's greatest poets. His Aeneid has been considered the national epic of ancient Rome from the time of its composition to the present day. Modeled after Homer's Iliad and Odyssey, the Aeneid follows the Trojan refugee Aeneas as he struggles to fulfill his destiny and arrive on the shores of Italy—in Roman mythology the founding act of Rome. Virgil's work has had wide and deep influence on Western literature, most notably Dante's Divine Comedy, in which Virgil appears as Dante's guide through hell and purgatory.

Aeneid 

The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas's wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

Cassandra

Cassandra , also known as Alexandra or Kassandra, was a daughter of King Priam and of Queen Hecuba of Troy. In modern usage her name is employed as a rhetorical device to indicate someone whose accurate prophecies are not believed by those around them.

A common version of her story relates how, in an effort to seduce her, Apollo gave her the power of prophecy—but when she refused him, he spat into her mouth to inflict a curse that nobody would ever believe her prophecies. In an alternative version, she fell asleep in a temple, and snakes licked (or whispered in) her ears so that she could hear the future. (A snake as a source of knowledge is a recurring theme in Greek mythology, though sometimes the snake brings understanding of the language of animals rather than an ability to know the future. Likewise, prophets without honor in their own country reflect a standard narrative trope.)

Apollo

Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.

As the patron of Delphi (Pythian Apollo), Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the god's custodial charges, Apollo became associated with dominion over colonists, and as the patron defender of herds and flocks. As the leader of the Muses (Apollon Musegetes) and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became a common attribute of Apollo. Hymns sung to Apollo were called paeans.

Oracle

In classical antiquity, an oracle was a person or agency considered to provide wise and insightful counsel or prophetic predictions or precognition of the future, inspired by the gods. As such it is a form of divination.

Pythia

The Pythia , commonly known as the Oracle of Delphi, was the name given to the High Priestess of the Temple of Apollo at Delphi who also served as the oracle.

The name Pythia is derived from Pytho, which in myth was the original name of Delphi. In etymology the Greeks derived this place name from the verb, "to rot", which refers to the sickly sweet smell of the decomposition of the body of the monstrous Python after he was slain by Apollo. Pythia was the House of Snakes.

The Pythia was established in the 8th century BC, and was widely credited for her prophecies inspired by being filled by the spirit of the god (or enthusiasmos), in this case Apollo. The Pythian priestess emerged pre-eminent by the end of 7th century BC and would continue to be consulted until the 4th century AD. During this period the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks, and she was without doubt the most powerful woman of the classical world. The oracle is one of the best-documented religious institutions of the classical Greeks. Authors who mention the oracle include Aeschylus, Aristotle, Clement of Alexandria, Diodorus, Diogenes, Euripides, Herodotus, Julian, Justin, Livy, Lucan, Nepos, Ovid, Pausanias, Pindar, Plato, Plutarch, Sophocles, Strabo, Thucydides and Xenophon.

Mercury(Hermes)

Mercury is a major Roman god, being one of the Dii Consentes within the ancient Roman pantheon. He is the patron god of financial gain, commerce, eloquence (and thus poetry), messages/communication (including divination), travelers, boundaries, luck, trickery and thieves; he is also the guide of souls to the underworld. He was considered the son of Maia and Jupiter in Roman mythology. His name is possibly related to the Latin word merx ("merchandise"; compare merchant, commerce, etc.), mercari (to trade), and merces (wages); another possible connection is the Proto-Indo-European root merĝ- for "boundary, border" (cf. Old English "mearc", Old Norse "mark" and Latin "margō") and Greek οὖρος (by analogy of Arctūrus/Ἀρκτοῦρος), as the "keeper of boundaries," referring to his role as bridge between the upper and lower worlds. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek godHermes. He is often depicted holding the caduceus in his left hand.

Achilles’ heel

An Achilles' heel is a weakness in spite of overall strength, which can actually or potentially lead to downfall. While the mythological origin refers to a physical vulnerability, idiomatic references to other attributes or qualities that can lead to downfall are common.

Hephaestus (Vulcan)

Hephaestus is the Greek god of blacksmiths, craftsmen, artisans, sculptors, metals, metallurgy, fire and volcanoes. Hephaestus' Roman equivalent is Vulcan. In Greek mythology, Hephaestus was the son of Zeus and Hera, the king and queen of the gods. In another version, he was Hera's parthenogenous child, rejected by his mother because of his deformity and thrown off of Mount Olympus and down to earth.

As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centers of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. Hephaestus' symbols are a smith's hammer, anvil, and a pair of tongs.

In medias res

A narrative work beginning in medias res ("into the middle things") opens in the midst of action. Often, exposition is bypassed and filled in gradually, either through dialogue, flashbacks or description of past events. For example, Hamlet begins after the death of Hamlet's father. Characters make reference to King Hamlet's death without the plot's first establishment of said fact. Since the play focuses on Hamlet and the revenge itself more so than the motivation, Shakespeare utilizes in medias res to bypass superfluous exposition.

Works that employ in medias res often, though not always, subsequently use flashback and nonlinear narrative for exposition of earlier events in order to fill in the backstory. For example, in Homer's Odyssey, we first learn about Odysseus' journey when he is held captive on Calypso's island. We then find out, in Books IX through XII, that the greater part of Odysseus' journey precedes that moment in the narrative. On the other hand, Homer's Iliad has relatively few flashbacks, although it opens in the thick of the Trojan War.

Epithets in Hemor

A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" dawn or "swift-footed" Achilles. Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.

Examples:

Achilles

·       son of Peleus

·       swift-footed

·       breaking through men

·       lion-hearted

·       like to the gods

·       shepherd of the people

Athena

·       Pallas

·       gray-, bright-eyed

·       daughter of Zeus

·       third-born of the gods

·       whose shield is thunder

·       hope of soldiers

·       tireless one

ver- truth

Examples: veritable, verify, verity and so on.

astr- star

Examples: asterisk, asteroid, astrology and so on.